Movie Summary of The Ghost Writer by Michael The Moviegoer.

THE GHOST WRITER = ****
“Haunted By The Memory Of Tony Blair”
I recently read an article about the discovery of a species of frog in Australia that was believed to have become extinct more than thirty years ago. I can imagine the thrills and joys of the scientists who made this discovery. After seeing Roman Polanski’s new film “The Ghost Writer”, I too feel I’ve discovered a species long thought to have become extinct. The smart, literate, perfectly made mystery movie. The kind I thought died with Alfred Hitchcock.
What a joy to behold. A true thriller where the thrills and suspense come not from action sequences, but from story, character, plot and revelation. Few young filmmakers today would know how to do this. But Roman Polanski has been doing it this way since the 1960s. Perhaps his unfortunate situation with being a fugitive from U.S. justice is a blessing in disguise for the filmmaker. Being prevented from working in Hollywood since the 1970s has allowed Polanski to remain one of the few true artists in modern cinema. His vision is not tampered with by studio execs or focus groups. Whatever your personal feelings are about the man and his crime, nearly all of his films have been fresh, original and rewarding experiences.
“The Ghost Writer” is in the same league with Polanski’s best work going back to the 60s for “Rosemary’s Baby” to the 70s for “Chinatown” and straight through to his Best Director Oscar for 2002’s “The Pianist”. When you think about all the great lesser-known (yet star-studded) films he’s given us in between, like “Tess” (Nastassja Kinski), “Frantic” (Harrison Ford), “Bitter Moon” (Hugh Grant), “The Ninth Gate” (Johnny Depp) or “Death And The Maiden” (Sigourney Weaver), it’s easy to see that Roman Polanski has consistently delivered the goods on his own terms.
In “The Ghost Writer”, Ewan McGregor plays an author hired to help Pierce Brosnan, a former British Prime Minister, write his memoirs. McGregor is replacing another author who has mysteriously died in odd circumstances. Brosnan plays Adam Lang, but is quite obviously, and intentionally, meant to remind us of the real former British Prime Minister Tony Blair.
McGregor arrives at Brosnan’s U.S.-based home during a time when allegations of war crimes surface. The mystery of how the previous ghost writer died is now fused with the mystery of the Prime Minister’s political connections to the U.S. via the CIA. Let me warn you right now, this is a movie to which you must bring your brain and leave it swtiched on. For me, that’s a big plus. Sadly, for Variety’s reviewer Derek Elley, it’s a negative. Elley criticizes the film for its “lack of any real action or thrills”. Well Derek, “The Ghost Writer” is an adaptation of a novel, not a video game.
DVD Double Feature: Rarely, if ever, do you find a strong polticial thriller involving characters from the world of book publishing. “The Ghost Writer” reminded me of one such film. 1990’s sorely underrated “The Russia House”. Sean Connery plays a British book publisher who is given a politically dangerous manuscript written by a famous Soviet scientist. Soon Connery, and Michelle Pfeiffer, are drawn into a world of international espionage. Fred Schepisi directs Tom Stoppard’s script based on the novel by John le Carre.
Michael The Moviegoer